After Grammy Snub, Black Sherif Urges a Rethink of Ghana’s Music System

West Africa WeeklyNovember 12, 20251 Mins read5

Ghanaian artist Black Sherif has called for greater education and structural reform within the country’s music industry, following the announcement of the 2026 Grammy nominations, where he was notably absent despite submitting his work for consideration.

Speaking after the nominees were revealed, Black Sherif admitted he had entered submissions for Best African Music Performance and Best Global Music Album, but did not make the final cut. Rather than frustration, his response carried a note of reflection, and challenge.

“We need some education,” he said, referring not to formal schooling but to the kind of industry literacy that strengthens the foundations of a thriving music economy. For him, talent alone is no longer enough. Artists, managers, and stakeholders must understand how the global system works, from music distribution and rights management to the submission and promotion processes that underpin major international awards.

His words resonated with many in Ghana’s creative community, where conversations around industry structure and visibility have grown louder in recent years. While Ghanaian acts like Stonebwoy, Amaarae, and King Promise continue to make waves internationally, the country has yet to secure a Grammy nomination under the new African categories, underscoring the gap between recognition and reach.

Black Sherif’s call comes when the global spotlight on African music has never been brighter. Nigerian and South African artists dominate international charts, collaborations, and award lists, showcasing creative excellence and the power of strategic infrastructure behind their art.

He suggests that Ghana build that backbone to professionalise the systems that support talent and ensure its sustainability.

It’s not about who’s better or more deserving, he implied. It’s about understanding the process and preparing ourselves for the world stage.

In that message lies a broader challenge to Ghana’s music industry: to evolve, organise, and learn, because global recognition, as Black Sherif reminds, begins with education.