“Something Like Gold” Falls Short of Expectations with Predictable Plot and Underwhelming Execution

“Something Like Gold” presents itself as a drama that should grip the audience with its themes of betrayal, downfall, and redemption. Directed by Kayode Kasum, whose past works have set certain expectations, the movie instead falls short in several areas, delivering a rather predictable and uninspired narrative. The film was released in cinemas in September 2023 and premiered on Netflix on August 16, 2024.

The story centres on Tamara Jolayemi Scott, portrayed by Sandra Okunzuwa, a rude and spoiled brat from a highly wealthy household. Tamara’s world is turned upside down when her father is arrested for embezzlement on her wedding day. The arrest leads to her wedding being called off, and her friends and fiancé abandon her. Forced into a life she’s never known – one devoid of luxury and comfort, Tamara must navigate a new reality filled with challenges that test her resilience and character. In the long run, she finds love. However, instead of drawing the viewer in, the film falters in its execution.

Tamara’s character is intended to evoke a rich, spoilt brat narrative and a mixture of sympathy and frustration. Yet, her portrayal seems exaggerated. The attempt to showcase her as a spoiled child comes off as overdone, with unnecessary theatrics that detract from the potential depth of the character.

Mercy Johnson’s character as Aunty Mayowa, however, remains a standout. Known for her emotional depth, she reminds viewers she is Nollywood’s “crybaby” with finesse, adding layers to a desperately needed film. Her performance and character are the glue that holds the disjointed plot together.

Considering the director, Kayode Kasum, one might have expected more from “Something Like Gold.” Kasum has a history of crafting engaging narratives with strong visual storytelling, but this film lacks his usual touch. The direction feels uninspired.

The dance scenes are a prime example of where the film stumbles. Instead of enriching the story, these moments, like Tamara’s awkward dance with her neighbours and Tunde’s (Kunle Remi) solo dane, feel out of place. The choreography is lacklustre, and the execution is cringe-worthy. It’s perplexing why the production didn’t invest in a proper dance tutor to ensure these scenes were at least visually appealing, if not meaningful.

One of the film’s most significant flaws is its predictability. From the moment Tamara’s father is arrested, the story’s trajectory is almost entirely foreseeable.

The movie’s plot bears an uncanny resemblance to “Lara and the Beat” (2018), starring Seyi Shay and Somkele Iyamah. However, where “Lara and the Beat” managed to weave its narrative with a certain charm and engaging performances, “Something Like Gold” feels like a rehash that fails to capture the same magic.

It’s important to highlight the movie’s choice of songs – specifically love songs – to effectively portray the relationship between Tamara and Tunde. The inclusion of “Running to You” by Chike and “Forever Sweet” by Dotti The Deity plays a crucial role in conveying the depth of their love.

“Something Like Gold” had the potential to be a compelling story of downfall and redemption, but it fails to deliver on many fronts.

WAW RATING: 4/10

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Chinalurumogu Eze

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